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Yo, G.

Roskam_and_d_cross_md I went to this thing on Saturday that our church was sponsoring. They were hosting a group from New York that has created a "hip-hop" mass. 

Yep.  And this is no DC Talk kind of thing.  These guys are "legit."  And though I felt a little too "white" being there, it was a pretty interesting idea.  And my wife commented, there was more theology in what they were doing than alot of what contemporary christian music (CCM) is putting out these days. 

To be fair, CCM is for the masses (not the "mass") and is marketed as entertainment (for the most part), this thing on Saturday was supposed to be an example of an Episcopal Church Service using the hip-hop vernacular.  In my mind, the service on Saturday came off a bit like performance art and was similar to attending a concert.  But still I'm not sure that is a bad thing. 

Originally I thought I was going to just dismiss the service as another attempt by well meaning Christians to make the gospel "relevant" and "hip," but I'm not so sure that I can do that.  There were elements of the service that I thought were pretty darn cool (some of the prayers were offered as free-form "raps" and the rhyming and rhythm was pretty awesome to hear) and other parts that I thought were questionable (should we really refer to the "house of the Lord" as "the Lord's crib?").

So these guys have created their own version of the Episcopal Prayer Book and will be releasing it soon.  They were handing out little cards with alternate versions of the "Lord's Prayer" on them and the following (which is an excerpt from the 23rd Psalm that Ryan Kearse re-phrased).

"The Lord is all that, I need for nothing.  He allows me to chill. He keeps me from being heated and allows me to breathe easy.  He guides my life so that I can represent and give shouts out in His Name.

And even though I walk through the 'hood of death, I don't back down for you have my back.  The fact that He has me covered allows me to chill.  He provides me with back-up in front of my player-haters and I know that I am a baller and life will be phat. 

I fall back in the Lord's crib for the rest of my life."

Word?  You can view an article about the hip hop emass on the Episcopal news service website (which is where I got the picture from above)...but you'll have to scroll down a bit to get to the article ('Go forth and tell it like it is': Roskam raps at Hip Hop Mass), I couldn't figure out a way to link directly to it.  Excerpt:

"...The initiative behind the Hip Hop Mass came from Trinity Church's rector, the Rev. Tim Holder, after listening to young people in his neighborhood. "This is the first time anything like this has happened on the East Coast," he said. "Hip hop is the culture; it's the people. When it began it was all about speaking to the oppressor. Hip hop is the new civil rights."

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» The twenty thissird psissalm from mostly music
The Lord is all that, I need for nothing. He allows me to chill. He keeps me from being heated and allows me to breathe easy. He guides my life so that I can represent and give shouts out in His Name. And even though I walk through the ... [Read More]

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I thought your comments on the Hip Hop Mass were fair and honest. Something I think is at the heart of our uneasiness with this type of ecclesial experiment (for lack of a better phrase) is trying to determine the fine line that is the domestication of transcendance. Is worship about us? or God? The way we worship reveals who we believe God to be. I think many attempts to making God relevant too often sacrifice the wholly otherness of God. In other words, we think making him more like us will somehow make people want to be more like him. But Christ came for precisely the opposite reason i.e., to remind us that we were made in his image--not the other way around. I too have conflicting feelings about the HipHop Mass. But I do have to say that there was more substance in it (scripture, theology, liturgy) than most of the other Protestant services I've experienced throughout my life. Finally, if nothing else, I was reminded that the Spirit moves where it will. Regardless of my own issues and/or hang-ups, God is working through his Church in ways I can't begin to know or understand. God is always at work in spite of us. Thank God.

One more thing...I don't want to sound as though God's working in spite of us means we shouldn't care about matters of orthodoxy (right worship.) We should care and strive to worship God as faithfully as we can, hence the need for the discipline of theology. But we pursue this always in humility knowing God will use us in spite of our shortcomings.

Word Carole.

Couldn't agree more... When we try and make God trendy, what happens when that trend fades?

Aaron

Great thoughts...

I find that the elements of any style of worship service that I enjoy the most are the ones that focus solidly (and accurately) on God, his attributes, and his character. No matter what the style, I find that those sorts of songs, readings, etc. are the ones that most effectively direct me to an attitude of worship, and that any lasting affective value I gain from the experience comes from that place of reflection/interaction.

See you tuesday...

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My Drumming On CD

  • Sixpence None the Richer: This Beautiful Mess

    Sixpence None the Richer: This Beautiful Mess
    The second CD Sixpence recorded was my first with the band. We tracked the rhythm tracks in 4 days at Omni Sound studios in Nashville. Armand John Petri produced and many fans say that this is their favorite Sixpence album.

  • Sixpence None The Richer: Sixpence None The Richer

    Sixpence None The Richer: Sixpence None The Richer
    The Grammy nominated, RIAA Certified Platinum selling album that featured the breakout hit, "Kiss Me." Produced by Steve Taylor and wonderfully engineered and mixed by Russ Long, with additional mixing by Bob Clearmountain. The follow-up hit, "There She Goes" was also later added to this album.

  • Sixpence None the Richer: The Best of Sixpence None the Richer

    Sixpence None the Richer: The Best of Sixpence None the Richer
    Includes the hits "Kiss Me," "There She Goes," and "Breathe Your Name" and many other of the songs I played on and helped promote during my 7+ years with the band.

  • Sixpence None the Richer: Tickets for a Prayer Wheel

    Sixpence None the Richer: Tickets for a Prayer Wheel
    Out-takes and B-Sides from Sixpence's "This Beautiful Mess" CD. There were some extended jams, a live track, some moody percussion and even a re-mix done by friend and former roommate, Sal Salvador. Not only does this CD feature my drumming, and vocals(!), but I make my producing debut on this album with an angst-filled vibey take on an old Patsy Cline song.

  • Sixpence None the Richer: Mega 3 Collection

    Sixpence None the Richer: Mega 3 Collection
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  • Sixpence None the Richer: There She Goes

    Sixpence None the Richer: There She Goes
    CD single of the 11th hour addition to Sixpence's self-titled album which helped solidify Sixpence as a legitmate "Breakthrough Artist" according to R&R magazine. The song went on to become a Top 10 Single with an appealing video (featuring "Saving Private Ryan" star, Adam Goldberg), by director and good friend of the band, Brandon Dickerson.

  • Sixpence None the Richer: Breathe Your Name / Northern Lights

    Sixpence None the Richer: Breathe Your Name / Northern Lights
    CD single of the Top 20 hit, Breathe Your Name w/ non-album track Northern Lights, from Sixpence's Divine Discontent record. Both songs feature my drumming.

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    Sixpence None the Richer: Collage: A Portrait of Their Best
    A compilation of the best tracks from the band's REX years. And yes, that's me in the corner with the beard and glasses.

  • Sixpence None the Richer: Kiss Me

    Sixpence None the Richer: Kiss Me
    Imported Single of the most played song from the year 2000. This song features my drumming and went to the top of the charts in over 10 countries (US, UK, Canada, Israel, Japan, etc...). I also appeared in all the videos and TV appearances that helped promote this song. Interesting side note: this song was chosen by Britain's Royal Family to be played for over 200 Million viewers during Prince Edward's 1999 wedding.

  • Sixpence None the Richer: I Can't Catch You

    Sixpence None the Richer: I Can't Catch You
    Import Single of a song from the band's self-titled album. This was one of the songs Bob Clearmountain mixed and it was honor to have him work his magic on my drum tracks!

  • ...The Basics: Grow
    I was really happy how this record turned out. An honest, well produced CD by a couple of North Carolina's (and Northern California's) best songwriters. I also took the photos that appear in the CD booklet.
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    [Various Artists]: City on a Hill: Collection
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  • [Various Artists]: Return Of The Grievous Angel: Tribute To Gram Parsons

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    [Various Artists]: Roaring Lambs
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  • [Various Artists]: Exodus

    [Various Artists]: Exodus
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    Kim Taylor: So Black, So Bright
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    [various artists]: Here On Earth (2000 Film)
    This Soundtrack album features two songs I did with Sixpence, one a cover of a Sam Phillips/ T-Bone Burnett song: "I Need Love" and the other, the opening track ("We Have Forgotten") from Sixpence's self-titled record.

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    [various artists]: Bounce: Music from and Inspired by the Miramax Motion Picture (2000 film)
    Another song ("Love") I did with Sixpence from their self-titled album, appears on this soundtrack. Mark Nash and I played a drum duet of sorts to get the primal heavy-handed approach needed for this wonderful song.

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    [various artists]: Dick
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