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Artists and Bandleaders: Tips for Better Gigs and Band Relationships

Here are some things that I think could make life easier for everyone when you are putting together a band for a gig.  I think most people that do music for a living know these things or have figured them out already. Still some of us have never given any thought to these things and wonder why there are "weird vibes" in our band. 

I was thinking about what things could ease my stress when being hired for a gig and as I was doing so, memories of past gigs, and experiences started coming to mind, and voila!  a list was born.  I hope this is helpful for all you budding artists out there and band leaders.  My tone may be a bit harsh...I think some of this may be me also letting off some steam...so I apologize in advance if I'm offending you...I'm just trying to help out!  So without further fanfare, here it is: 

To all you Artist and Bandleaders:  Tips for Better Gigs and Band Relationships

1.  First off, when approaching someone to play with you for your upcoming show, it's a kind, respectful and courteous gesture to mention how much the gig will pay.  Even if it won't pay anything at all.  I know it's uncomfortable to talk about money, especially when you don't have any and you're afraid that some side musician is going to ask for more than you can afford, but still it's good business and shows a lot of respect and humility on your part if you bring it up, and not wait for the other person.  Remember, you're the leader.  Act like one and make sure that you let the people you hire know that you value them by bringing up the money first.  And if you are asking them for a favor (which essentially a non-paying gig is), let them know that.  Better to get this out in the open than to leave it unresolved.

2.  Remember, you are more invested in your project and music than any of the people who play with you will ever be.  If the people playing with you aren't being paid for the gig, have some grace and mercy in how you react to their ability to play their parts consistently.  If you are concerned that they won't play your songs perfect at the gig, consider making out charts for your players.  Chords and lyrics, and song structure is all you need.  Maybe ask your players if they would like you to make a chart for them, instead of getting frustrated at them, or shooting them a dirty look 'cause they couldn't read your mind.  If you want perfection, hire a professional or get a Karaoke machine.

3.  Provide the people you hire with a zip file of the mp3's of the songs you want them to learn.  Sending files via You Send It, seems to be one of the more reliable and popular ways of going about this.  Alternatively you could purchase your albums/ songs on iTunes and send them to your players via email (iTunes has a gift option where you can do that).  Or, just send out a CD you burn yourself, or send  the hard copies of the CDs themselves.  Don't assume that your band members love your music so much that they own every one of the albums you've put out over the course of your career.  As a band leader/ artist, show respect and humility to the guys you hire by offering them the above, and then follow up to make sure everyone has the songs.  If the songs you play live will follow the same structure and arrangement as the songs on your CD, let your band members know, so they can prepare accordingly.

4.  Think of yourself as a company.  You are the CEO and the band members are your employees.  Read some books on leadership and learn what the qualities of being a good leader are.  Read some books on communication or sign up for sessions with a psychologist or other professional, to get feedback on how to best relate and care for those that are in your midst.

5.  Remember, the people that play for you have a life as varied, complicated and as busy as you do.  Be empathetic, and try not to be a complete jerk when dealing with things that don't live up to your expectations.  Basically, don't take yourself so seriously.  Really.  Yes, you are God's gift to this world, but please stop acting like it.  It doesn't do anyone any good at all.


Are you a band member or artist/ band leader and would like to add to this list?  If so, leave a comment below.  Or if you totally disagree with me, please feel free to voice your opinion below as well! 

Posted by email from dalebakerdrummer's posterous

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Gareth Bird

I like point 4 about musicians remembering to treat gigs and bands within the concept of a "company".The suggestions to read up on management and leadership are good too as so often we musicians are too often wrapped up in the art to treat the music as a business.

mike passaro

How about these:
1. have a plan for your rehearsal. Let your band members know the start time and end time of rehearsals. You may have all day to rehearse, but they may not. Being clear on starting times and ending times is a good way to respect your band members.

If you have specific parts that you want covered the night of the gig, plan to rehearse them. Point them out to your players. Use your rehearsal time to practice the most important things.

2. Think realistically. it maybe not be the most realistic thing to expect your players (hired or not) to know all of your stuff by rehearsal time. Even if you send charts/mp3s/emails there is no substitute for actually playing together. It's unrealistic to expect everything to gel in the first 20 minutes, especially when you've asked them to learn 12 new songs...that they might not have heard...

3. Communicate! It seems that a lot of leading is wrapped up in communicating well. Let you band members know what is expected. What is the call time for the show? When will it be over? what gear does everyone need to bring.

I'm sure we can all think of times when we've packed up our own drum kit/guitar rig only to get to the gig and not have a chance/option to even set it up because there is house gear already in place. Knowing this info in advance could save your band members some time and frustration...

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My Drumming On CD

  • Sixpence None the Richer: This Beautiful Mess

    Sixpence None the Richer: This Beautiful Mess
    The second CD Sixpence recorded was my first with the band. We tracked the rhythm tracks in 4 days at Omni Sound studios in Nashville. Armand John Petri produced and many fans say that this is their favorite Sixpence album.

  • Sixpence None The Richer: Sixpence None The Richer

    Sixpence None The Richer: Sixpence None The Richer
    The Grammy nominated, RIAA Certified Platinum selling album that featured the breakout hit, "Kiss Me." Produced by Steve Taylor and wonderfully engineered and mixed by Russ Long, with additional mixing by Bob Clearmountain. The follow-up hit, "There She Goes" was also later added to this album.

  • Sixpence None the Richer: The Best of Sixpence None the Richer

    Sixpence None the Richer: The Best of Sixpence None the Richer
    Includes the hits "Kiss Me," "There She Goes," and "Breathe Your Name" and many other of the songs I played on and helped promote during my 7+ years with the band.

  • Sixpence None the Richer: Tickets for a Prayer Wheel

    Sixpence None the Richer: Tickets for a Prayer Wheel
    Out-takes and B-Sides from Sixpence's "This Beautiful Mess" CD. There were some extended jams, a live track, some moody percussion and even a re-mix done by friend and former roommate, Sal Salvador. Not only does this CD feature my drumming, and vocals(!), but I make my producing debut on this album with an angst-filled vibey take on an old Patsy Cline song.

  • Sixpence None the Richer: Mega 3 Collection

    Sixpence None the Richer: Mega 3 Collection
    Includes Sixpence's first 3 CD's. Of these 3 CD's my drumming only appears on the 2nd and 3rd disc. The first CD featured the drumming of Chris Dodds, one of my favorite people and drummers.

  • Sixpence None the Richer: There She Goes

    Sixpence None the Richer: There She Goes
    CD single of the 11th hour addition to Sixpence's self-titled album which helped solidify Sixpence as a legitmate "Breakthrough Artist" according to R&R magazine. The song went on to become a Top 10 Single with an appealing video (featuring "Saving Private Ryan" star, Adam Goldberg), by director and good friend of the band, Brandon Dickerson.

  • Sixpence None the Richer: Breathe Your Name / Northern Lights

    Sixpence None the Richer: Breathe Your Name / Northern Lights
    CD single of the Top 20 hit, Breathe Your Name w/ non-album track Northern Lights, from Sixpence's Divine Discontent record. Both songs feature my drumming.

  • Sixpence None the Richer: Collage: A Portrait of Their Best

    Sixpence None the Richer: Collage: A Portrait of Their Best
    A compilation of the best tracks from the band's REX years. And yes, that's me in the corner with the beard and glasses.

  • Sixpence None the Richer: Kiss Me

    Sixpence None the Richer: Kiss Me
    Imported Single of the most played song from the year 2000. This song features my drumming and went to the top of the charts in over 10 countries (US, UK, Canada, Israel, Japan, etc...). I also appeared in all the videos and TV appearances that helped promote this song. Interesting side note: this song was chosen by Britain's Royal Family to be played for over 200 Million viewers during Prince Edward's 1999 wedding.

  • Sixpence None the Richer: I Can't Catch You

    Sixpence None the Richer: I Can't Catch You
    Import Single of a song from the band's self-titled album. This was one of the songs Bob Clearmountain mixed and it was honor to have him work his magic on my drum tracks!

  • ...The Basics: Grow
    I was really happy how this record turned out. An honest, well produced CD by a couple of North Carolina's (and Northern California's) best songwriters. I also took the photos that appear in the CD booklet.
  • [Various Artists]: City on a Hill: Collection

    [Various Artists]: City on a Hill: Collection
    I played on the first City on a Hill CD as well as a track or two on the second CD.

  • [Various Artists]: Return Of The Grievous Angel: Tribute To Gram Parsons

    [Various Artists]: Return Of The Grievous Angel: Tribute To Gram Parsons
    I played drums with the Rolling Creek Dippers, aka: Buddy and Julie Miller, Victoria Williams, Mark Olsen, Jim Lauderdale.

  • [Various Artists]: Roaring Lambs

    [Various Artists]: Roaring Lambs
    I played drums with Sixpence None the Richer, Emmylou Harris, Steve Taylor and percussion with Burlap to Cashmere on this CD.

  • [Various Artists]: Exodus

    [Various Artists]: Exodus
    I played with Sixpence None the Richer, Michael W. Smith, and Kenny Meeks on this CD.

  • Kim Taylor: So Black, So Bright

    Kim Taylor: So Black, So Bright
    I played drums on this CD that was produced by Jack Henderson. This is one of my favorite projects to have played on. Some of the tracks feature Linford and Karin from Over the Rhine as well.

  • Frankly Scarlet: Stories I've Heard
    I played and recorded with this band back when I lived in Dallas. We even shot a video...with the Dallas skyline as our backdrop.
  • [Various Artists]: Making God Smile: An Artists' Tribute to the Songs of Beach Boy Brian Wilson

    [Various Artists]: Making God Smile: An Artists' Tribute to the Songs of Beach Boy Brian Wilson
    I played drums and percussion (timpani, chimes, beat box) on Jason Harrod's version of "In My Room" for this Brian Wilson tribute album.

  • Rebecca St. James: Transform

    Rebecca St. James: Transform
    I played on a track produced by Matt Bronlewee, that featured the London Symphony Orchestra and some very "Bjork" sounding vocals by Rebecca. I think we did about 40 tracks of various percussion overdubs for this track too.

  • [Various Artists]: Never Say Dinosaur

    [Various Artists]: Never Say Dinosaur
    My first time to work with producer Brent Bourgeois and one of my first times in the studio with Sixpence. I borrowed a whole bunch of percussion from Steve Hindalong and had a great time overdubbing frame drums, rattan shakers and the like. The track ended up sounding very Daniel Lanois-ish with some Peter Gabriel-esq type layers thrown in for good measure.

  • Phantasmic: Fluffy Vs. Phantasmic
    "Rainy Day Assembly" appears on this record. This out-take from Sixpence's "This Beautiful Mess" session was used by Tess Wiley (aka, Phantasmic) and features shaker performed by percussion wiz Lalo Davila.
  • Honey: Lost on You
    I played on two tracks from this record produced by Dan and Steve from Jars of Clay.
  • [various artists]: Here On Earth (2000 Film)

    [various artists]: Here On Earth (2000 Film)
    This Soundtrack album features two songs I did with Sixpence, one a cover of a Sam Phillips/ T-Bone Burnett song: "I Need Love" and the other, the opening track ("We Have Forgotten") from Sixpence's self-titled record.

  • [various artists]: Snow Day: Music From The Motion Picture

    [various artists]: Snow Day: Music From The Motion Picture
    Sixpence's version of The La's tune, "There She Goes" is on this soundtrack album. And yes, I'm playing drums on that song...

  • [various artists]: Bounce: Music from and Inspired by the Miramax Motion Picture (2000 film)

    [various artists]: Bounce: Music from and Inspired by the Miramax Motion Picture (2000 film)
    Another song ("Love") I did with Sixpence from their self-titled album, appears on this soundtrack. Mark Nash and I played a drum duet of sorts to get the primal heavy-handed approach needed for this wonderful song.

  • [various artists]: Dick

    [various artists]: Dick
    One of my favorite tracks. Everytime I hear this song ("Dancing Queen"), I can't help but think of Alan Partridge.

  • Sixpence None the Richer: Divine Discontent

    Sixpence None the Richer: Divine Discontent
    Even though I quit playing with the band in 2001, the bulk of this record was recorded in 2000, and so my playing is featured on more than half the tracks on this record. Produced by Paul Fox, beautifully engineered by Mark Chevalier and mixed by Tom Lord-Alge.

  • Sixpence None the Richer: The Early Years

    Sixpence None the Richer: The Early Years
    New Sixpence compilation from the REX years. Includes songs and b-sides from the early work I recorded with Sixpence - pre "Kiss Me" era.

  • Steve Hindalong, et.al: City on a Hill: Reflections on Our Spiritual Journey (Ccm Book)

    Steve Hindalong, et.al: City on a Hill: Reflections on Our Spiritual Journey (Ccm Book)
    Okay, this is a book. But I wrote the first essay that appears in the book and took all the photos that appear as well. You can actually read my essay by clicking this link and "looking inside the book." Fun, huh?

  • Various Artists: Pointfolio 1.0

    Various Artists: Pointfolio 1.0
    A radio station compilation featuring in-studio and concert live cuts. Includes, Sixpence doing "Kiss Me"(with me on drums), and Fleming and John's "Ugly Girl", Dido, BareNaked Ladies, etc.

  • : Plumb

    Plumb
    Loops, fragments of songs and lots of percussion is what I remember from this session. Producer Dan Haseltine and Matt Bronlewee made this a fun and creative time in the studio. It was great to be a part of the debut album of such a phenomenal artist (am I gushing to much here?).

  • [various Artists] : Felicity: Senior Year (tv soundtrack)

    [various Artists] : Felicity: Senior Year (tv soundtrack)
    Features "Melody of You" a beautiful song by Sixpence None the Richer that I played drums on and was featured on the series final episode (I think).