Good news for Songwriters!

Via Wired, I found out about a ruling that will allow ASCAP to collect royalties due to it's publishers (and therefore the songwriters covered under those publishing agreements) from a few of the big Internet companies.  And furthermore, ASCAP has set up a petition of sorts that they are referring to as "A Bill of Rights." 

Geesh.  I can't help but wish that all musicians had the same sort of protection and heft and vested interest to guarantee payment for their creative work. I'm glad that songwriters have a group of folks/lobbyists/lawmakers/etc to protect them so that they can continue doing what they do best.  I just wish that there was someone in my camp that was doing the same for me. 

In my idealistic world, I think it'd be wonderful if all musicians (not just songwriters) were guaranteed a copyright royalty (or something along those lines) for their performances.  You know, spread the love ($$$) around. For this to be done, the definition of authorship would probably have to be altered or changed, but to me the whole thing regarding music authorship (especially in a band setting) is a bit arbitrary and just seems a matter of semantics.  But then again, I might just be a bitter old musician, who should have smelled the coffee earlier and become a songwriter, or a good neighbor.  In spite of my self-deprecation though, I still would like to believe my view has merit.

"If you're a music fan, the worst thing in the world that could happen is if great songwriters stop writing music because they can't make a living," said David Israelite, president and CEO of the National Music Publishers' Association, which is pushing for a higher royalty rate.

Here's my thought:  if somehow the money that gets set aside to pay songwriters and publishers was also divided up to pay the musicians that perform those songs, songwriters and publishers may not get AS rich as they currently are able to, but that the larger music community would benefit by being able to support more truly great musicians.   

What if you wrote a great song, and no one was talented enough to perform it?  I wish that someone like David Israelite was passionate about the musicians (the guys and girls in the trenches) that perform, interpret and bring great songs to life.  I know that the Musicians Union (bonus points if you spot the typo - geesh - on their home page! Punctuation, people!) is supposed to be the organization that does this, but compared to the power of the copyright/ songwriters lobby, it seems they come up with a little less power when it's all said and done.  I think it's because as a songwriter, there are laws that protect you.  With a Union, it's ultimately the strength of the Union that is protecting you. 

And as I write these words, I think about all the other creative professionals involved in getting that great song documented, such as the engineers that don't seem to have as many people lobbying for them as the songwriters do.

I'll end on this quote from Don Henley (taken from this 7 year old article and though the article maybe a bit out of context, I think the quote still works):

"...adding that the United States is the only country "in the free world" that doesn't have performance rights in addition to publishing rights. "If you're just a singer and not a writer, you don't make anything when they play your song on the radio," he said, adding, "This is about economic justice across the board."

Note to all you songwriters out there:  you may want to audit your publisher to make sure you get your fair share of the multi-million dollar payout!

Full article at Wired

Amplified Cardboard Tube - David Cossin

Shell_bluebg_mini My friend Rachel went to see a concert performance of the Bang on a Can All-Stars last week, and she sent me a link to their website, sorta.  Looking through the site, I decided to click on the link for David Cossin and through another couple of clicks, found that he is the guy I heard on NPR about a year or so ago.  He was fascinating to listen to on the radio...I think he was getting ready to do a performance with the Dallas Symphony and the NPR host recorded the sound check or something like that. 

Anyway, this A.C.T. sounds like it could be an Asian Flute, or something you'd hear in a Peter Gabriel recording, or maybe something at a Blue Man Group show.  I'm fascinated by the sounds he gets, and would love to make my own version of this thing.  Here is the description of the instrument on his website:

"A.C.T. Amplified Cardboard Tube- This recording of an improvisation was recorded at WNYC radio for John Schaefer’s New Sounds program on September 4th 2002. Through amplifying this found instrument using control feedback I can create a singing drum. I can accompany myself with a real time looping sampler (Echoplex) that records instantaneously what I play."

And then there is a link to the audio as well.  Fun stuff.

23rd Psalm for Jazz Bassists

From my friend (and former roomie) Martin Baird:

23rd Psalm for Jazz Bassists
The Lord is my drummer, I shall not rush.
He maketh me to lay out in tasteful places
He leadeth me beside cool meter changes
He restoreth my "one".
Yeah man, though I read through the
trickiest of charts, I will fear no train wrecks.
For You are with it.
Your ride and Your snare, they comfort me
You setteth up a solo for me
In the presence of mine guitarists.
You annointeth my lines with drive.
My groove overfloweth.
Surely good feel and swing will follow me
through all the tunes of each set.
And I will dwell in the pocket
the whole gig long.
Amen.

Fionn Regan: Interview

Thanks to Able, I viewed the coolest video I've seen in a long time.  Not only is the song great, but the video makes you wonder if the song and video were recorded at the same time, or if they just added the sound effects later and he was just lip syncing along to a master track. 

After viewing the video and a few others on You Tube, I checked out Fionn's site and read the coolest interview I've read in a long time.  Fionn interviews himself, and I just love his answers.  They make me more curious about him, and makes me want to see him play live that much more (as if the videos weren't enough).  Read the interview here.  See the video here. Oh wait, I can embed this thing...I think I'll do that right now:

Valentines Day Music

Essential_acoustic_love Valentine's Day is right around the corner, and though it's not as soon as Feb. 7th (according to this calendar we purchased for real cheap), it'll be here before you know it.  So wouldn't you know some enterprising company has put out a compilation of music suited for this particular day?  Well, it's coming out today, according to an article in the Morpeth Herald.  And I quote:

AS Valentine's day looms, celebrate the biggest acoustic love songs of all time with a brand new compilation CD.

With the ultimate in romantic ballads and love classics, Essential Acoustic Love is the album of the Spring.

And wouldn't you know it, the CD also features "Kiss Me" the song I helped make famous (through numerous tv appearances, and lunch-time performances for radio stations, not to mention I played drums and percussion on the track).  But I wouldn't purchase the disc for "Kiss Me." I'd purchase it for the combination of artists ranging from KT Tunstall, to Oasis, to Tom Waits and Emmylou Harris.


"All My Tears" at Emmaus Way Jan. 27th

This song is an excerpt from the larger Emmaus Way Podcast from January 27th.

Download:  All_My_Tears_at Emmaus Way Jan. 27 2008

I frequently play at Emmaus Way in downtown Durham, and on this particular Sunday I was fortunate to  play with a group of excellent musicians that all live here in the area. On the recording you will hear Jeff Crawford on bass and background vocals, Nick Jaeger on electric guitar, James Wallace on piano, and of course Wade Baynham on acoustic guitar and lead vocals. 

The recording was done with a stereo mic setup with the five of us playing in the round.  I had my big 26" Kick, along with my tamb/shaker/hi-hat pedal and was playing brushes on my snare drum. 

The song was written by Julie Miller and was famously featured on Emmylou Harris' Wrecking Ball album.  Before that you could have heard it on any number of Julie's records from the early to mid 90's.

Wade is the worship/ arts pastor for Emmaus Way and since moving to Durham 8 years ago, I've treasured my relationship with him.  In addition to his work at Emmaus Way, Wade also owns one of the best sounding studios, I've played in.  I've recorded many a drum track in his studio and think that his place is on par with some of the fancier and costlier places (Ocean Way Nashville, The Bennett House, to name two) I've recorded in.  Wade is also an excellent songwriter and producer/ engineer and plays a number of instruments really well. 

Jeff and Nick play in a band called Roman Candle and and along with that band they and also stay busy with Jeff's own project.  James plays in Max Indian and a bunch of other Chapel Hill bands.

Snake Charmer and Destiny at the Stroke of Midnight

With a title like that, what do you expect? 

Well you should get ready for a grand opus from Daniel Hart, aka The Physics of Meaning.  I'm listening to a rough mix version of the album I played on a while ago, and according to Perry (who came over for dinner tonight), the mastering of this project should be completed soon.  This album sounds awesome...and I'm listening to it on my tiny MacBook speakers.  It is so cool, I'm really pleased and thankful to have been a part of this project. 

Daniel's violin playing, singing, and guitar antics have never sounded better.  There are a few different drummers on the CD, so it's been fun listening to the other guys and how they interpret Daniel's stuff.  Sonically the record reminds me of some of the old XTC records, and parts of the Frank Zappa catalog.  Anyway, it's exciting to hear this stuff again...I can't wait for the final version!

You can keep up with Daniel via his MySpace page...catch him on tour with John Vanderslice, or with one of the other groups he tours with...

Kiss Me with a mouth full of Sun Chips

Currently, you can hear my drumming and percussion on the song "Kiss Me" as part of an ad campaign over at Sun Chips.  As the song vamps in the background, a woman on a beach talks about "living brightly," and asks if you are prepared to take "small steps."  The video is...well...let's just say:  "interesting."  It starts with a beach scene, birds flying, ocean waves crashing and a spokeswoman that looks like my sister saying:

"Here's an idea that's so simple, it'll change your life.  It's called, (pause -look heavenward and smile) "Living Brightly."  Basically it's the power of small steps, the little things you do to make your life (pause, look at the camera) a little better.  For Sun Chips, living brightly means a number of things, like making delicious chips PACKED with Whole Grains - 18 grams in every serving because it's better for you, buying green energy credits, finding ways to harness the sun by (having) solar collectors at our plant in Modesto, California.  Small steps, but steps in the right direction.

For the rest of us, Living Brightly, is about whatever small things you do everyday to make your life a little brighter.  Make time for friends, wear sunscreen (evangelistic fervor building), surprise someone by buying them a cup of coffee, take a scenic detour, just because.  Or Volunteer. 

Once you get started (preach it sistah!), you'll will be amazed at the the kind of things that happen in your life, and the kinds of opportunities that just pop up.  Although the power of small steps, does bring up one small question: are you  prepared to take one?  We can all talk small steps that add up in the long run, steps that can change the world, so come on, (big smile) take the first step.  You'll be amazed at what will happen.  (Hold...look into camera, while smiling - cue John Mark Painter's accordian solo)."

Wow.  I can't begin to say how this affects me...

Frito-Lay, thanks for setting an example for all of us. 

What's next a church, your own Sun Chip religion, special prayers before we eat our Sun Chips?  A Sun Chip rosary?

Fascinating stuff from the world of advertising in this day and age.

Source:  Thanks to The Smart Set, for the tip!

David Finch: Colors

I played on Dave's newest project a while ago at Cross-Eyed Studio, and it is now out and available for you to gander at and purchase!  There is a great little write up over at Cross-Eyed that had the following nice things to say about me:

"Dale really proved his salt as one of the great studio drummers available in the area. He began by listening to and charting out each track, and then proceeded to knock each one out as though he had weeks to practice!  With tracking wrapped, we exported each track for easy re-integration into the Pro Tools files, and David headed west to spend the next year overdubbing, mixing, and polishing each track."

You can hear one of the songs in it's entirety at ReverbNation, and listen to snippets of the other songs at CD Baby.  You can then purchase the CD over at Kunaki

It was fun playing on Dave's stuff.  I got to use my little toy snare to create a little drum and bass beat for "The Meaning of Love" and was able to come up with some drum tracks I'm pretty proud of.  Dave is a great talent and I hope we get to work together again one of these days!

Fascinating bit about Radiohead

I stumbled upon (thanks Johnny) an interesting article about Radiohead and EMI and their negotiations regarding "In Rainbows."  The article was written by "Mackenzie P", and details info that was found in a Times article.

“We couldn’t move ahead with EMI because Guy Hands irrevocably refused to discuss the catalogue in any meaningful way," Bryce Edge, Radiohead's manager told the paper. The band were attempting to negotiate the rights to some of their previous albums, something the label knew would lead to a loss in future profits.

In her blog post, some of the details of the Times article were left out, like this quote:

"Giving Radiohead the rights to their last two albums would have presented EMI with a £4 million loss. It is believed that the band was also seeking a guaranteed £3 million EMI budget on international marketing for the new album, although their management does not accept this figure."

And this interesting tidbit:

Radiohead’s original EMI contract also had no facility for digital sales, so it would not receive royalties through sales from the iTunes store. “It’s no surprise that artists are throwing their arms up in the air,” Mr Edge said.

Anyway, The Times piece is an interesting read and I thank Mackenzie P for bringing attention to the it. Here is the link to The Times piece

and the link to Mackenzie P's blog over at MOG.

My Drumming On CD

  • Sixpence None the Richer: This Beautiful Mess

    Sixpence None the Richer: This Beautiful Mess
    The second CD Sixpence recorded was my first with the band. We tracked the rhythm tracks in 4 days at Omni Sound studios in Nashville. Armand John Petri produced and many fans say that this is their favorite Sixpence album.

  • Sixpence None The Richer: Sixpence None The Richer

    Sixpence None The Richer: Sixpence None The Richer
    The Grammy nominated, RIAA Certified Platinum selling album that featured the breakout hit, "Kiss Me." Produced by Steve Taylor and wonderfully engineered and mixed by Russ Long, with additional mixing by Bob Clearmountain. The follow-up hit, "There She Goes" was also later added to this album.

  • Sixpence None the Richer: The Best of Sixpence None the Richer

    Sixpence None the Richer: The Best of Sixpence None the Richer
    Includes the hits "Kiss Me," "There She Goes," and "Breathe Your Name" and many other of the songs I played on and helped promote during my 7+ years with the band.

  • Sixpence None the Richer: Tickets for a Prayer Wheel

    Sixpence None the Richer: Tickets for a Prayer Wheel
    Out-takes and B-Sides from Sixpence's "This Beautiful Mess" CD. There were some extended jams, a live track, some moody percussion and even a re-mix done by friend and former roommate, Sal Salvador. Not only does this CD feature my drumming, and vocals(!), but I make my producing debut on this album with an angst-filled vibey take on an old Patsy Cline song.

  • Sixpence None the Richer: Mega 3 Collection

    Sixpence None the Richer: Mega 3 Collection
    Includes Sixpence's first 3 CD's. Of these 3 CD's my drumming only appears on the 2nd and 3rd disc. The first CD featured the drumming of Chris Dodds, one of my favorite people and drummers.

  • Sixpence None the Richer: There She Goes

    Sixpence None the Richer: There She Goes
    CD single of the 11th hour addition to Sixpence's self-titled album which helped solidify Sixpence as a legitmate "Breakthrough Artist" according to R&R magazine. The song went on to become a Top 10 Single with an appealing video (featuring "Saving Private Ryan" star, Adam Goldberg), by director and good friend of the band, Brandon Dickerson.

  • Sixpence None the Richer: Breathe Your Name / Northern Lights

    Sixpence None the Richer: Breathe Your Name / Northern Lights
    CD single of the Top 20 hit, Breathe Your Name w/ non-album track Northern Lights, from Sixpence's Divine Discontent record. Both songs feature my drumming.

  • Sixpence None the Richer: Collage: A Portrait of Their Best

    Sixpence None the Richer: Collage: A Portrait of Their Best
    A compilation of the best tracks from the band's REX years. And yes, that's me in the corner with the beard and glasses.

  • Sixpence None the Richer: Kiss Me

    Sixpence None the Richer: Kiss Me
    Imported Single of the most played song from the year 2000. This song features my drumming and went to the top of the charts in over 10 countries (US, UK, Canada, Israel, Japan, etc...). I also appeared in all the videos and TV appearances that helped promote this song. Interesting side note: this song was chosen by Britain's Royal Family to be played for over 200 Million viewers during Prince Edward's 1999 wedding.

  • Sixpence None the Richer: I Can't Catch You

    Sixpence None the Richer: I Can't Catch You
    Import Single of a song from the band's self-titled album. This was one of the songs Bob Clearmountain mixed and it was honor to have him work his magic on my drum tracks!

  • ...The Basics: Grow
    I was really happy how this record turned out. An honest, well produced CD by a couple of North Carolina's (and Northern California's) best songwriters. I also took the photos that appear in the CD booklet.
  • [Various Artists]: City on a Hill: Collection

    [Various Artists]: City on a Hill: Collection
    I played on the first City on a Hill CD as well as a track or two on the second CD.

  • [Various Artists]: Return Of The Grievous Angel: Tribute To Gram Parsons

    [Various Artists]: Return Of The Grievous Angel: Tribute To Gram Parsons
    I played drums with the Rolling Creek Dippers, aka: Buddy and Julie Miller, Victoria Williams, Mark Olsen, Jim Lauderdale.

  • [Various Artists]: Roaring Lambs

    [Various Artists]: Roaring Lambs
    I played drums with Sixpence None the Richer, Emmylou Harris, Steve Taylor and percussion with Burlap to Cashmere on this CD.

  • [Various Artists]: Exodus

    [Various Artists]: Exodus
    I played with Sixpence None the Richer, Michael W. Smith, and Kenny Meeks on this CD.

  • Kim Taylor: So Black, So Bright

    Kim Taylor: So Black, So Bright
    I played drums on this CD that was produced by Jack Henderson. This is one of my favorite projects to have played on. Some of the tracks feature Linford and Karin from Over the Rhine as well.

  • Frankly Scarlet: Stories I've Heard
    I played and recorded with this band back when I lived in Dallas. We even shot a video...with the Dallas skyline as our backdrop.
  • [Various Artists]: Making God Smile: An Artists' Tribute to the Songs of Beach Boy Brian Wilson

    [Various Artists]: Making God Smile: An Artists' Tribute to the Songs of Beach Boy Brian Wilson
    I played drums and percussion (timpani, chimes, beat box) on Jason Harrod's version of "In My Room" for this Brian Wilson tribute album.

  • Rebecca St. James: Transform

    Rebecca St. James: Transform
    I played on a track produced by Matt Bronlewee, that featured the London Symphony Orchestra and some very "Bjork" sounding vocals by Rebecca. I think we did about 40 tracks of various percussion overdubs for this track too.

  • [Various Artists]: Never Say Dinosaur

    [Various Artists]: Never Say Dinosaur
    My first time to work with producer Brent Bourgeois and one of my first times in the studio with Sixpence. I borrowed a whole bunch of percussion from Steve Hindalong and had a great time overdubbing frame drums, rattan shakers and the like. The track ended up sounding very Daniel Lanois-ish with some Peter Gabriel-esq type layers thrown in for good measure.

  • Phantasmic: Fluffy Vs. Phantasmic
    "Rainy Day Assembly" appears on this record. This out-take from Sixpence's "This Beautiful Mess" session was used by Tess Wiley (aka, Phantasmic) and features shaker performed by percussion wiz Lalo Davila.
  • Honey: Lost on You
    I played on two tracks from this record produced by Dan and Steve from Jars of Clay.
  • [various artists]: Here On Earth (2000 Film)

    [various artists]: Here On Earth (2000 Film)
    This Soundtrack album features two songs I did with Sixpence, one a cover of a Sam Phillips/ T-Bone Burnett song: "I Need Love" and the other, the opening track ("We Have Forgotten") from Sixpence's self-titled record.

  • [various artists]: Snow Day: Music From The Motion Picture

    [various artists]: Snow Day: Music From The Motion Picture
    Sixpence's version of The La's tune, "There She Goes" is on this soundtrack album. And yes, I'm playing drums on that song...

  • [various artists]: Bounce: Music from and Inspired by the Miramax Motion Picture (2000 film)

    [various artists]: Bounce: Music from and Inspired by the Miramax Motion Picture (2000 film)
    Another song ("Love") I did with Sixpence from their self-titled album, appears on this soundtrack. Mark Nash and I played a drum duet of sorts to get the primal heavy-handed approach needed for this wonderful song.

  • [various artists]: Dick

    [various artists]: Dick
    One of my favorite tracks. Everytime I hear this song ("Dancing Queen"), I can't help but think of Alan Partridge.

  • Sixpence None the Richer: Divine Discontent

    Sixpence None the Richer: Divine Discontent
    Even though I quit playing with the band in 2001, the bulk of this record was recorded in 2000, and so my playing is featured on more than half the tracks on this record. Produced by Paul Fox, beautifully engineered by Mark Chevalier and mixed by Tom Lord-Alge.

  • Sixpence None the Richer: The Early Years

    Sixpence None the Richer: The Early Years
    New Sixpence compilation from the REX years. Includes songs and b-sides from the early work I recorded with Sixpence - pre "Kiss Me" era.

  • Steve Hindalong, et.al: City on a Hill: Reflections on Our Spiritual Journey (Ccm Book)

    Steve Hindalong, et.al: City on a Hill: Reflections on Our Spiritual Journey (Ccm Book)
    Okay, this is a book. But I wrote the first essay that appears in the book and took all the photos that appear as well. You can actually read my essay by clicking this link and "looking inside the book." Fun, huh?

  • Various Artists: Pointfolio 1.0

    Various Artists: Pointfolio 1.0
    A radio station compilation featuring in-studio and concert live cuts. Includes, Sixpence doing "Kiss Me"(with me on drums), and Fleming and John's "Ugly Girl", Dido, BareNaked Ladies, etc.

  • : Plumb

    Plumb
    Loops, fragments of songs and lots of percussion is what I remember from this session. Producer Dan Haseltine and Matt Bronlewee made this a fun and creative time in the studio. It was great to be a part of the debut album of such a phenomenal artist (am I gushing to much here?).

  • [various Artists] : Felicity: Senior Year (tv soundtrack)

    [various Artists] : Felicity: Senior Year (tv soundtrack)
    Features "Melody of You" a beautiful song by Sixpence None the Richer that I played drums on and was featured on the series final episode (I think).

Contact Me:

  • Dale Baker
    919-402-8048
    dalebakerdrummer {@} gmail {dot} com

Photos:

  • www.flickr.com
    Photos
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